To kneel, to stand, to interact

To kneel, to stand, to interact Typology: Pavilion, Warming hut Location: Winnipeg, Canada Year: 2019 Stage: Competition Team: Adrian Aguirre   According to Bernard Tschumi “Architecture is defined by the actions it witnesses as much as by the enclosure of its walls”, the proposal for the Warming huts designated as “To kneel, to stand, to …

Tongzhou. Lobby & skylobby

Beijing Tongzhou Tower. Lobby & skylobby Typology: Interior design Location: Beijing, China Year: 2019 Stage: Concept design Team: Adrian Aguirre & Vanessa Gomez History on Tongzhou district recognized that its location was of high importance for Beijing’s water approach being the eastern gateway of Beijing on 195bc, which relates to the brief that Tongzhou will …

ANTE(mush)ROOM

Ante(mush)room Typology: Pavilion Location: Year: Stage: Competition Team: Adrian Aguirre, Vanessa Gomez, Andrea Ramos Ante(mush)room An eclectic icon to see and be seen, an exploration where the triaxial plane fold from ceiling to wall and the digital and analogue (crafted) architecture merge through geometric and material control. Geometry is generated through height variations of four …

Dolly or the tale of the sheep who walked down the river and became a pavilion

Dolly or the tale of the sheep who walked down the river and became a pavilion Typology: Warming hut/pavilion/shelter Location: Winnipeg, Canada Year: 2018 Stage: Competition Team: Adrian Aguirre, Andrea Ramos   The animal kingdom has found behaviours to adapt to extreme conditions, bears hibernate, arctic fox changes color as camouflage, monarch butterflies migrate, alligators …

Prosthetic Dwelling

Typology: Illustration Year: 2018 Stage: Competition Team: Adrian Aguirre   “In computer circles […] exist three general classes of models; each contains very particular biases toward how we observe […] the world and how we represent it, the aggregate, essence and reality.”[1] for Nicolas Negroponte, the aggregate was a decomposition of events, the essence was …

Wuxi metro stations. Gonghu Dadao Station, Huishan Guzhen Station, Grand Theatre Station

Client: Wuxi transportation. Line 4. Gonghu Dadao Station, Huishan Guzhen Station, Grand Theatre Station. Location: Wuxi, China Year: 2017 Square meters: 62,532.30sqm Stage: Concept design, schematic design Team: Adrian Aguirre, Angelica Basurto, Marco Floreschapa, Vanessa Gomez, Francisco Guillen, Erick Sánchez. As an overall motto, at SAA, everything should be designed. In relation to the Wuxi …

Shenzhen metro stations. Keyuan Station. Shenda East Station

Client: Shenzhen metro. Line 13. Keyuan Station, Shenda East Station. Location: Shenzhen, China Year: 2017 Square meters: 41,279.53sqm Stage: Concept design Team: Adrian Aguirre   Shenzhen metro line 13 pass through Nanshan district, Baoan district and Guangming district from north to south. There are 22 stations, from which Shenda East station and Keyuan station were …

Chunfeng Tunnel

Client: Shenzhen transportation Location: Shenzhen, China Year: 2017 Square meters: 6,375sqm tunnel entrance and exit, 4,747.50sqm landscape, interior tunnel configuration. Stage: Concept design, Schematic design Team: Adrian Aguirre   Chunfeng Tunnel acts as visual reference outside and inside the tunnel, drivers adapt to light transition through an unfolding structure. The sound barrier at east side …

Peacebird Headquarters. Interior design

Client: Peacebird Headquarters. Interior design Location: Ningbo, China Year: 2017 Square meters: 3310 sqm Stage: Concept design Team: Adrian Aguirre   Fashion as culture. "Showcase the culture ". Culture is transmitted through generations, it's inherited and preserved. Colours, fabrics and patterns reflect each culture uniqueness, a celebration of what makes each culture remarkable, from ancient …

Fading Breeze

Fading Breeze; Geroskipou, Cyprus; 2017 Team: Adrian Aguirre The proposal describes topologically transformational processes, derived from proximity between sea-beach-wind, introducing discontinuous reality, invisible, fading out. We live in a epoch of simultaneity, of juxtaposition of disperse elements, any architecture of the XXI century should be able to relate and adapt to a multiplicity of contextual …